|
Theme 25.
Contemporary technologies of depictive art.Computer- information technologies as future of art.
Technologies of the computer drawing: the simplest programs Photo Shop, Photo Editor, etc. the plane-table method of drawing, its advantage over drawing by mouse.
The basic types of graphic it is file: JPEG, Gif, BMP.
Technologies of the collection of depictive information into the Internet: program Internet explorer, Netscape navigator.
Technologies of assignment to the depictive information Front Page.
Web- design.
Elementary concepts about the holography.
SUBJECT PLAN
|
¹ in sequence |
Designation of the theme |
A quantity it is hour |
||
|
Lectures |
Laboratory the occupation |
Independence the work |
||
|
1 |
Realistic and conditionally- decorative understanding of art as the manifestations of the sensitive and ideational types of cultures. |
2 |
|
|
|
2 |
Artistic and aesthetic principles in the ancient peace. |
2 |
|
2 |
|
3 |
Artistic and aesthetic principles into the Middle Ages. |
2 |
|
2 |
|
4 |
Depictive art of revival and new time as the united period of sensitive type supremacy. |
2 |
|
2 |
|
5 |
Art of the twentieth century. |
2 |
|
|
|
6 |
Russian culture as an example of the fight of ideational and sensitive types. Repetition of the rhythms of the development of the Byzantine and West European art |
2 |
|
|
|
7 |
Theory of the composition |
1 |
|
|
|
8 |
Painting. |
1 |
|
|
|
9 |
Drawing |
1 |
|
|
|
10 |
Subject creation. |
1 |
|
|
|
11 |
Paired composition "beetle and butterfly" |
|
2 |
2 |
|
12 |
Paired composition: "fantastic animal and plant" |
|
2 |
2 |
|
13 |
The drawing of birds behave like a beast |
|
1 |
|
|
14 |
Drawing of the figure of the man |
|
1 |
|
|
15 |
Paired composition "clowns" |
|
2 |
2 |
|
16 |
Paired composition "good and evil hero of folk tales" |
|
2 |
2 |
|
17 |
Decorative- graphic filling of the natural form |
|
2 |
|
|
18 |
Graphic portrait |
|
2 |
|
|
19 |
"city" |
|
2 |
|
|
20 |
Still life. Paired composition. |
|
2 |
2 |
|
21 |
Triple composition. The "image of the figure of man in the historical medium". |
|
4 |
6 |
|
22 |
Fourfold composition. The "seasons". |
|
4 |
4 |
|
23 |
Substitution of the formal elements of composition by the concrete image (continuation of the previous theme). |
|
2 |
|
|
24 |
Composition to the mythological subject. |
|
4 |
4 |
|
25 |
Contemporary technologies of depictive art. |
2 |
|
4 |
|
|
Altogether |
18 |
32 |
32 |
The basic concepts
|
the culture the style the stylisation ideational sensitive realistic conditionally- decorative the modernism postmodernism the installation performans the holography the Web- design suprematizm the line the spot the prime |
the contrast the accent the nuance the nature soft rigid the static the dynamics the symmetry the asymmetry the filling the view the still life the composition the artistic formation the artistic- pedagogical system the elementary education |
Organisation of the independent work
Independent work includes: A) the study of culturology, art criticism, historical, computer literature on discipline; b) the work on the fulfilment of assignments, typological similar to the tasks, practised in the laboratory occupations (in view of a deficiency in the time, and also for the fastening and creative of the reconsideration of material).
CONTROL QUESTIONS And THE TASKS:
1. Of what does consist the essence of the typology of art by P. Sorokin?
2. Alternation in the history of the ideational and sensitive types of culture.
3. Characteristic of conditionally- decorative art.
4. Characteristic of realistic art.
5. Laws of chromatics and watercolor painting technique.
6. Graphic methods also of technology.
7. The fundamental laws of composition.
8.Osobennosti of the simplest programs of computer drawing.
Author of the program of elective course "Realism and decorativism in the history, the theory and the practice of the depictive art" and of systematic recommendations for the students of the department of the elementary education: Fantalov A.N., the doctor of culturology, docent of the department of aesthetics.